Post by nickconrad on Feb 12, 2009 20:36:25 GMT -5
I have no idea if this is the place to ask these questions, but I may as well have a go at it. I have the post-production script for The Shining (1980) here on my screen, and I very quickly have realized that I am missing something clearly important in reading it. Here's an example:
EXT. APARTMENT BUILDING/BOULDER - DAY - L.S.
Apartment Building - cars parked in front of it. Mountain
in b.g. CAMERA TRACKS IN on Apartment Building.
CUT TO:
INT. JACK & WENDY'S APARTMENT IN BOULDER (USA) / LIVING
ROOM - DAY - M.L.S.
DANNY is sitting at table eating a sandwich. WENDY sitting
cam.R reading book.
I figured M.S. was medium-shot, L.S. was long-shot, but what in the hell is an M.L.S. then? Cam.R? I am sure it's Kubrick directing every minute detail of every cut right there in the script, but I'd like to be able to understand what I'm reading if anyone can give me some insight?
I have one other question as well, and it is somewhat related. Just how difficult is it for a movie to secure the use of a song? In the Blues Brother's script, it's just there. You'll just have a line "SONG: 'Tailfeather' Blues Brothers dancing in background" as if to say "Ray, dammit, play along", but I've heard that some people have very different experiences. Apparently Zach Braff just had to ask Paul Simon's permission to use "The Only Living Boy in New York" for Garden State, but Jack Black had to get down on his knees in a packed auditorium to plead with the Led Zeppelin guys for use of Iceman. I've heard Elton John is somewhere in between. How does this sort of thing usually go down?
EXT. APARTMENT BUILDING/BOULDER - DAY - L.S.
Apartment Building - cars parked in front of it. Mountain
in b.g. CAMERA TRACKS IN on Apartment Building.
CUT TO:
INT. JACK & WENDY'S APARTMENT IN BOULDER (USA) / LIVING
ROOM - DAY - M.L.S.
DANNY is sitting at table eating a sandwich. WENDY sitting
cam.R reading book.
I figured M.S. was medium-shot, L.S. was long-shot, but what in the hell is an M.L.S. then? Cam.R? I am sure it's Kubrick directing every minute detail of every cut right there in the script, but I'd like to be able to understand what I'm reading if anyone can give me some insight?
I have one other question as well, and it is somewhat related. Just how difficult is it for a movie to secure the use of a song? In the Blues Brother's script, it's just there. You'll just have a line "SONG: 'Tailfeather' Blues Brothers dancing in background" as if to say "Ray, dammit, play along", but I've heard that some people have very different experiences. Apparently Zach Braff just had to ask Paul Simon's permission to use "The Only Living Boy in New York" for Garden State, but Jack Black had to get down on his knees in a packed auditorium to plead with the Led Zeppelin guys for use of Iceman. I've heard Elton John is somewhere in between. How does this sort of thing usually go down?